Bringing her unique & harder edge sound to Drum & Bass Music, DJ Madam Filth is a firm favourite within the legendary Las Vegas Strip & her relentless focus & drive shows no sign of slowing – as she continues rocking events & festivals across an array of U.S. cities & states.
Previously recognised as the #1 Female DJ in Vegas, DJ Madam Filth also launched her record label, Dancefloor Mafia earlier this year. Continuing to amass fans across her native homeland & beyond, DJ Madam Filth comes off the back of her previous release (titled ‘Can’t Control It’) & fast forward to the present – it’s now the turn of ‘Got That Blow’ to take centre stage. We caught up with DJ Madam Filth to find out more about her latest release, inspirations & more!
1. Welcome to EDM Nations, Madam Filth! How’s Summer shaping up in Las Vegas?
Thank you — it’s a pleasure to connect! Summer in Vegas is exactly what you’d expect, always next level — wild energy, long nights, and the bass doesn’t quit. The heat’s real, but so is the vibe, the kind that makes you level up. This city doesn’t sleep, and I wouldn’t have it any other way. From the clubs to the afters to the studio, it’s always goin down. After years in this city, I’ve learned how to ride the wave without losing myself in it. This summer’s already been full of inspiration, and I’m channeling that into the next chapter of what I’m building. Vegas has this way of keeping you sharp and inspired, especially in the summer at night when the city truly comes alive.
2. With the recent release of ‘GOT THAT BLOW’, how long was the track in the works?
‘GOT THAT BLOW’ is a drum and bass track that came together over a few months — It started out as a vibe I was messing with late one night, after a show. That post-set clarity, where the adrenaline’s still running but your mind is open — that’s where it was born. The more I worked on it, the more it started to feel like a statement track. I went deep on the sound design and really wanted the drop to hit hard but still feel clean and deliberate. Once I had that balance, it clicked. I spent time sculpting the bass, layering textures, and making sure it had the right tension and release. For me, it’s not just about making something loud — it’s about making something that feels dangerous in all the right ways.
3. Delivering a bass-heavy vibe, how would you describe your sound to our readers?
I’m drum & bass to the core — it’s where I started, and it’s the backbone of everything I do. DnB shaped my ear, my instincts, and my identity as an artist. I’d say my sound is unapologetically bold — rooted in bass, but layered with a sense of depth and tension, and definitely built for the rave. It’s dark, energizing, intentional, and meant to move a crowd, whether it’s a packed warehouse or club or a late-night solo ride. Over the years, I’ve drawn influence from West Coast and UK bass culture, Drum & Bass sounds worldwide, industrial textures, metal, and a bit of that Vegas flair — polished but powerful. There’s a cinematic edge to my sound and physical at the same time. It’s less about fitting solely into any sub genre and more about building an atmosphere to get lost in. I like to bring energy that makes you scrunch your face and lose it on the floor — driving, and made to shift your mind. My sets and tracks aren’t about chasing trends. They’re about feeling something heavy and real — something that grabs you and doesn’t let go. DnB gave me my edge — fast tempos, sharp instincts, and an obsession with energy control.
4. DJ’ing across Vegas, how much does the scene there influence you musically?
Vegas definitely sharpens you — the energy, the diversity, the pressure to stand out. You’ve got every type of crowd here: tourists, locals, die-hard ravers, casual partiers — and you have to know how to read the room and still stay true to your sound. I’ve spun everything from underground warehouse raves to mega clubs on the Strip, and every space has its own rhythm. The scene here pushes you to be bold and original, and that’s something I carry into everything I do. Vegas has played a huge role in shaping my musical identity. I’ve been in the scene since high school — long before the Strip became a global EDM hub — so I’ve seen it evolve firsthand. What I love about this city is its contrast: high-end clubs with massive production, underground spaces, and everything in between. It forces you to stay versatile and learn quickly how to adapt, yet still maintain your own spirit.
5. Recently launching Dancefloor Mafia, what’s your initial plan for the label?
Dancefloor Mafia is a Drum & Bass label about building a family of heavy-hitting artists who aren’t afraid to push boundaries and challenge norms. Right now, I’m focused on building a strong foundation: releasing high-impact tracks, nurturing new talent, and creating a brand that feels authentic and fearless. I want the label to be a space where artists feel empowered to be bold — whether that’s sonically, visually, or conceptually. I want it to be a platform for music that’s hard to ignore. No fluff, just pure impact. Expect a mix of solo drops, collabs, remixes, and eventually live showcases that bring that vision to life. It’s very much a labor of love.
6. As a resident on Bass Nation on The Vibe 99.7FM, what can our readers expect when they tune in to your show?
It’s a full ride. It is the #1 domestic broadcast for Drum & Bass and all other genres of bass heavy music. I feature everything from underground cuts to unreleased gems from up-and-coming producers, to prominent artists— all threaded together with intent. Every week, I bring new music — primarily focused on the sounds of DNB, I also feature the sounds of Dubstep, Trap, Breakbeats, Jungle, Drumstep, Future Bass, Halftime, and more. It’s about sharing the music I’m passionate about, supporting the community, and offering a space where the bass scene can really breathe. Whether you’re a long-time fan of heavy sounds or just getting your feet wet, there’s something to connect with. I am so grateful for the team at Vibe FM for granting me the opportunity to have a voice in Drum & Bass, to take listeners on a deeper ride, and to give artists an outlet to be heard. For me, it’s about keeping the underground alive, loud, and evolving — on air and beyond.
7. And lastly, any other exclusive Madam Filth news you can share with us?
Absolutely — I’ve got a drum & bass collab dropping later this summer that leans into a different kind of intensity. We had been working on this one for a minute. It’s dark, hypnotic, and a bit of a curveball of Neurofunk DNB — which I love. I’m also locking in shows outside of Vegas and starting to expand the Dancefloor Mafia brand into some deeper community-building projects. 2025 is a big year for growth, not just creatively, but as a leader in this space. After two decades in the scene, I still feel like I’m just getting started in some ways — and that’s an exciting place to be. And trust — there’s more music on the way. I’m in a heavy creative space right now, and I can’t wait to share what’s next.
